A Rain in July (July Rain) (Marlen Khutsiev film) (subtitles)
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$14.99
- SKU: 61726
- Availability: In Stock
- Label(s): MosFilm
- Subtitles: English
- Languages: Russian
- Format: Black & White
- Soundformat: Dolby Digital
- Genre(s): Drama , Melodrama , Retro
- Year of release: 2018 (1966)
- Recording length: 103 min.
- Cast Зиновий Гердт, Александр Белявский, Александр Митта, Алла Покровская, Юрий Визбор, Валентина Шарыкина, Евгения Уралова, Евгения Козырева
- Music Bulat Okudzhava, Юрий Визбор
- Director Марлен Хуциев
- Script Марлен Хуциев, Анатолий Гребнев
- Camera Герман Лавров
Lena is about to marry when she finds out her fiance is a bad person. After leaving him, she seeks for a sense in her life through adventures with artists who are also searching their own identity. When raining, she meets Zhenya.
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The main character of the film Lena is an engineer in a printing house. Her fiance Volodya is a promising scientist. They are about thirty. The film tells about their life for several months: from the July rain to late autumn. Relationships that begin as ideal end with a break when Lena, disappointed, having revised her views on life, refuses to marry Volodya.
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The movie has a rather loose plot of a perished love as a
background for displaying the Moscow life in the 1960s. It's mostly a set
of shrewd observations with a clear premonition and question mark at
the end.
It shows the time of the choice of a future way for the
country. In fact the choice was already made in October 1964, when
conformist climbers and unprincipled egotists (Volodya) took a lead of
the Soviet society and eventually destroyed it. The most charming and
human figure of the movie is Alik, played by the famous Russian bard
Yuri Vizbor. Alik represents the honest and skeptical part of Soviet
society, that didn't have much hope for the bright future and tried to
enjoy the life, avoiding ranting and bargaining with the conscience.
One
of the most brilliant films of the ending Khruschiov's "thaw",
reflecting its hopes and vague apprehensions. The vivid scenes of Moscow
60-s intellectuals life are portrayed with a slight irony and
melancholy, that makes the movie an enjoyable souvenir for a couple of
Soviet generations.